Why Groupies Are Destroying The (Indie) Music Business
First up I will define groupies. These are women who just love to get in relationship with a musician for the fact he is a musician and not because they might like him as a person.
They are not the kind of people who love and care for others and that attent concerts and buy CDs wholeheartedly. No, they are the kind of opportunists that like to get backstage to make an impression.
Now some musicians do promote themselves open to these kind of women and mainly big record companies promote boys bands with an image to make teenage girls go wild.
In many ways this might be a harmless and most teenage girls do know they will never get in touch with their favorite musician. They might dream of marrying him, but that is it. They know it is a dream. The crash will not remain, the band will split and the girls will find themselves real boyfriends.
But groupies are not those puppy love teenage girls. They are women who like to get a musician for their own benefit.
Unlike the teenage girls, they are experienced seductresses that do know what they want. They also know how to attract man. Often they have the looks and the talent to go for it.
Bragging on their one night stands with famous musicians is what they like and that is how they make it in the magazines.
Now it is up to the musicians if they give in or not and to allow those women their minute of fame, but still they can cause a lot of harm. They might be go getting sharks, but they might hurt musicians as well.
Some might have wives and families and groupies might screw that up.
Also can they ruin the trust of a musician. Big artists might have bodyguards to keep them safe, but you also have the struggling indie musicians, who also seem to attract women who like them for their own benefit.
Those artists might have to get more personal with their fans and need their help to get around. They do not have the big money for promotion and need the support of their fans.
Now if some groupies sneak in and abuse the trust of an indie musician, it might become harder for them to trust female fans that do mean well and really care. This might hurt both parties.
Yes, when artists and fans work together for a while, fans might come to like the artist as a person as well. This is when a well meaning female fan might get in trouble.
The artist might lose trust and hurt her, because he has already had enough trouble with groupies and when he pushes away all female fans who do intent to be friends, people will end up hurt.
To end with a personal note: I never really liked groupies and felt that you should like a person for who he or she is. I always loved music, but never really cared a lot about musicians as people.
But I did encounter an indie musician I came to like as a person. But when I told him, he turned me down. Now, when I look at his attitude, I do feel he attracts a lot of the wrong kind of female fans and I know I am harsh on him, but I know my intentions were right and I often have the feeling I am bleeding for the mistakes of another.
Yes, I am hard on him, but I know he lost a fan and promoter in me and I still have a feeling I lost a friend and I wish things ended differently. He became some kind of inspiration to me, but not the kind I had in mind.
So I do not want to comdemn him. But I do not like groupies and I feel they are a real menace to the serious music industry and they should be dealt with, so other fans might not get disappointed as well.
This legendary band from Liverpool, England captured the heart of many with their mop-top hair and lovely songs during the 60s. From their first single, Love Me Do to their last album Let It Be, The Beatles were simply a class of their own. Many of their songs have landed number 1 in the music chart. Young and adults have to queue in line just to get tickets for their concerts. They were regarded by music lovers as one if not the greatest band that stamped their class in music industry. The Beatles is composed of John Lennon (vocals, rhythm guitar), Paul McCartney (vocals, bass guitar), George Harrison (vocals, and lead guitar) and Ringo Starr (drums, vocals).
Ringo Starr (Richard Starkey) was not the original drummer for the Beatles. Pete Best was the first drummer, but continually didn’t show up due to illness. Ringo Starr, a well known drummer for another band, Rory and The Hurricanes in Liverpool, would sit in with the Beatles on many occasions after initially meeting the Beatles in 1959.
On August 18, 1962, Ringo Starr officially joined the Beatles as their drummer, playing in the first gig in Hulme Hall in Birkenhead, England. The producer of the Beatles, George Martin decided at this time to replace Pete Best with Ringo Starr.
Throughout their career, The Beatles have made several albums, among them: Abbey Road, A Hard Day’s Night, Beatles for Sale, Help!, Please, Please Me, With the Beatles, , Help!, Let It Be, Revolver, Rubber Soul, Sgt. Pepper’s Lonely Hearts Club Band, The Beatles (White Album), and Yellow Submarine. Some of their compositions where McCartney/Lennon collaboration (48 songs), though each member have their fair share of original songs. John Lennon has 72 songs to his credit, Paul McCartney had composed 69 songs, George Harrison had added 22 songs, and even Ringo Starr, Richard Starkey in real life composed two songs, Don’t Pass Me By and Octopus Garden.
To credit, John Lennon and Paul McCartney were the lead vocalists and George do the backup vocals. But did you know that Ringo, aside from contributing two songs and did the lead vocal on 11 songs!
For Beatles fans that may not have known this fact and to those who just wanted to reminiscence the old classics Beatles songs, here are the songs for you to enjoy.
11 songs where Ringo Starr did the lead vocals:
1. Boys –the song was written by Dixon/Ferrell and was included in the album Please, Please Me (1963)
2. I Wanna Be Your Man – written by John Lennon from the album With The Beatles (1963)
3. Matchbox – a good pick up song composed by Carl Perkins that was added in the album Long Tall Sally (1964)
4. Honey Don’t – another Carl Perkin composition from the album Beatles For Sale (1964)
5. Act Naturally – a Morrison/Russel collaboration included in the album Help! (1964)
6. What Goes On – Lennon/McCartney song from the album Rubber Soul (1965)
7. Yellow Submarine – a Paul McCartney original featured in two albums; Revolver (1966) and Yellow Submarine (1969)
8. With a Little Help From My Friends – another Paul McCartney classic composition included in the album Sgt. Pepper’ Lonely Hearts Club Band (1967)
9. Don’t Pass Me By – Ringo Starr original song from the album The Beatles (1968)
10. Good Night – A John Lennon original from the album The Beatles (1968)
11. Octopus Garden – Ringo Starr other original composition from the album Abbey Road (1969)
Ringo Starr continues today to be a real star in the music industry. He has just release as new album in 2017. In the 1980s, he played many times with the Traveling Wilburys, which at times featured many musicians like Bob Dylan, George Harrison, Tom Petty, and Roy Orbison.
Rod Stewart is best known as a solo singer who, throughout the 1970's & 80's and beyond, racked up the hits in the UK. It all started with his debut solo single 'Maggie May' in 1971 which raced to the top of the charts. Rod Stewart reached the top spot in the UK charts on 6 occasions and reached the top 10 many times more.
What is less known about Rod Stewart, to the casual music fan anyway, is that throughout the 1960's Rod Stewart was very active on the music scene (with rather limited success it has to be said). During that decade, Rod Stewart performed with no less than nine different bands. Here we will take a look at the nine bands that Rod Stewart was in before his solo career took off.
(Rod Stewart during the 1970's - Image Source)
1. The Ray Davies Quartet
In the days before the final line up of the Kinks came about, Ray Davies was trying to get a band together. In 1962, Rod Stewart joined the band but didn't last too long. The reason for Rod Stewart being kicked out by Ray Davies was that the mother of then drummer John Start had complained about Stewart's voice not being good enough.
2. The Dimensions
It was in October 1963 that Rod Stewart joined the band called 'The Dimensions', his initial role was of lead singer and harmonica player. Gigs were rather hard to come by though until Jimmy Powell joined the band as singer. Renaming themselves as Jimmy Powell & the Five Dimensions, Rod Stewart soon found his role in the band lessening and he soon left.
3. Cyril Davies All-Stars / The Hoochie Coochie Men
It was Long John Baldry, who after hearing Rod Stewart busk the song 'Smokestack Lightning', asked him to become part of Cyril Davies' popular R 'n' B combo. Things got off to the worst possible start when Davies died on the night that Rod Stewart made his gig debut. Baldry somehow managed to keep the rest of the band together, under the name of 'The Hoochi Coochie Men' but not for long. They did manage to release one single - Rod Stewart taking lead vocals on a renditon of 'Good Morning Little Schoolgirl' - on release in 1964, it failed to chart.
4. Soul Agents
Rod Stewart was a member of this band for a period of 6 months from late 1965 to early 1966. Success did not really come along for the band but they did gig quite a bit in their native city of Southampton.
Steampacket were a band that was created somewhat out of the ashes of 'The Hoochie Coochie Men'. The band featured Rod Stewart, Long John Baldry, Julie Driscoll and Brian Auger. The band became popular enough to support the Rolling Stones on tour but split up in 1966. Although no albums were released during the time that Rod Stewart featured in the band, a posthumous album was released in 1970.
6. Shotgun Express
Shotgun Express only ever released one single, 'I Could Feel The Whole World Turn Round' in 1966 - it failed to chart. The band featured Rod Stewart sharing lead vocals with Beryl Marsden and also featured future Fleetwood Mac stars Mick Fleetwood and Peter Green on drums and guitars.
7. The Jeff Beck Group
The Jeff Beck Group boasted the cream of British rock, or so they were quick to say. In the latter years of the 1960's Jeff Beck was helped out by Nicky Hopkins on piano, Micky Walker on drums, Ron Wood on bass and Rod Stewart on vocal duties. Rod Stewart stayed with the group long enough to record the 1968 album 'Truth' and the 1969 album 'Beck-Ola'. It was not to be the last time that Rod Stewart and Ron Woods would appear in the same band.
8. Python Lee Jackson
Python Lee Jackson were an Australian band who were pretty much unheard of in the UK when they roped Rod Stewart in to doing the lead vocals for the song 'In A Broken Dream' in 1970. Money was quite tight for the band and they ended up paying Rod Stewart with a set of seat covers for his car. The song was released in the UK in 1973 and, because of Rod Stewart's fame by then, raced up the charts to a peak position of number 3.
9. The Faces
The Small Faces slit up in 1969 but Ronnie Lane, Ian McLagan and Kenney Jones were not finished with music. They hired Rod Stewart and Ron Wood (who had played together in the Jeff Beck Group) and set about recording new material. One of the reasons given for dropping the 'small' from their name was because of how tall Ron Wood and Rod Stewart were - anyway, they band were now known as simply 'The Faces'.
Rod Stewart launched his solo career after the breakup of the band Faces with numerous top 10 hits in the 1970s. Some of Rod Stewart's hit songs include:
- Maggie May was one of his most popular songs after leaving Faces. It remained #1 on the hit charts for 5 straight weeks in 1971.
- Reason To Believe became one of the most jukebox songs of the 1970s.
- Tonight’s The Night was right up there with other so-called erotic singers of the late 1970s such as Marvin Gaye and Donna Summer. Tonight’s The Night remained #1 on the hit charts for 8 weeks in 1978.
- Da Ya Think I’m Sexy was considered as a rock / disco song and stayed on the charts at #1 for 4 weeks.
- You Wear It Well, considered a classic Rod Stewart song released in 1972.
- Hot Legs that was released in 1977 became another hit.
- Some Guys Have All the Luck released in 1984 is a cover song that was first released in 1981 by Robert Palmer.
- Young Turks is a song that shows how easily Rod Stewart evolved into the 1980’s as this song was released in 1981.
- Stay With Me
- You’re In My Heart is a song that was released in 1977 and reached #4 in 1977.
Other great Rod Stewart Songs and favorites of many of that generation include:
- Gasoline Alley was from Rod Stewart’s second solo album, released in 1970 on the album Gasoline Alley.
- (I Know) I’m Losing You, which was a cover song first recorded by the Temptations as a # hit in 1968. Rod Steward and Faces covered this song in 1970. Because of contractual agreements, the band, Faces, could not given be credit to. Even though Rod Stewart did many cover songs, this cover song is one of the best he ever did.
Today, Rod Stewart is still performing, and will be at Caesars Palace in Las Vegas in June 2018.
The classical era spans roughly 80 years in music history during the 18th and 19th centuries and is often associated with the movement called the Age of Reason. It is defined by a return to symmetry and simplicity not only in music, but also in architecture and fine art. The excavation of Pompeii began in 1748, and the visible remains which were drawn and engraved became a template for the aesthetics of the time. The best known composers from the Classical period are Mozart, Beethoven and Haydn.
Most musicologists mark the death of J.S. Bach in 1750 as the end of the Baroque era and the dawn of the Classical era. There is less consensus on when it ended: some consider the death of Beethoven in 1827 to be the boundary line whilst others cite 1800 as the beginning of the Romantic era. The Oxford Companion to Music marks the end of the Classical era as "sometime between 1800 and 1830". Few disagree that there was an overlapping of classical and romantic ideals by the early 19th century.
The style of music from the Classical Era is predominantly homophonic, consisting of a single melody line with accompaniment as opposed to the polyphonic style of the Baroque Era which weaves together a number of melodic lines. Composers of the Classical Era rejected the elaborate styles of the Baroque Era, which they considered self-indulgent and vulgar. They simplified harmonic structures, shortened musical phrases and applied symmetry that was often lacking in the music of their predecessors. The Classical Era also saw a shift to more instrumental genres, particularly the symphony and the string quartet.
Great emphasis was placed on developing musical forms in the Classical era, the most important and overarching being sonata form. Sonata form consists of 3 clearly defined sections: the exposition (and introduction), the development section (a contrasting section in a different but related key) and the recapitulation (a return to the introductory material but remaining in the original key). Sonata form had a direct impact on the development of instrumental music types, particularly the symphony, concerto, sonata and string quartet. All of these types are still used by contemporary composers.
The Classical period produced fewer enduring composers than any other musical period from the 1600s onwards. The Emphasis on form was to have a lasting impact on musical composition but in its infancy it had a rather stifling effect on musical substance and expression. Although there were hundreds of successful and revered composers during that time, only three of them composed music which would truly stand the test of time. They were Wolfgang Amadeus Mozart (1756 - 1791), Joseph Haydn (1732 - 1809) and Ludwig van Beethoven (1770 - 1827). They were to rise above the confines of stylistic regulations and create music that was never forgotten and continually revered.